Now You Go Into Oblivion: L.Franklin Gilliam, Alia Syed & Onyeka Igwe
This one-off screening presents the newly digitised film Now Pretend by L.Franklin, together with Fatima’s Letter by Alia Syed, and a new sound response by Onyeka Igwe. Both made on 16mm film in 1991, Now Pretend and Fatima’s Letter present different personal reflections on racial visibility/invisibility in public space.
Made in the USA, Now Pretend uses language, personal memories, black and white film stock, and the 1959 text, ‘Black Like Me,’ to look at Blackness as an arbitrary identity signifier. Filmed almost entirely at Whitechapel Underground Station in London, Fatima’s Letter draws on English and Urdu to hold a space between cultures and languages and between the gaze of the camera and pedestrian travelers.
Adjoining the two films will be a new quadraphonic sound work made by British artist and researcher Onyeka Igwe, who has also written a new text for the occasion.
Following the screening, writer, researcher and cultural theorist Dhanveer Singh Brar will join us in discussion about this grouping of work.
Fatima’s Letter | Alia Syed, 1991/1992, 19min, 16mm
Now Pretend | L.Franklin Gilliam, 1991/1992, 10min, digital scan from 16mm
Now Pretend and Onyeka Igwe’s sound work will be shown with SDH Captions. Fatima’s Letter will be screened on 16mm film and will not be captioned. Post-screening discussion will be signed live in BSL.
Artists’ Moving Image Network
Pavilion’s Artists’ Moving Image Network is a open-access community of artists, programmers and researchers with an invested interest in artists’ moving image. Every fortnight we come together online to watch and discuss moving image work by group members, alongside contemporary and historical work by international artists.
To coincide with the screening on 21 February, we are delighted that L.Franklin and Onyeka Igwe will join our online AMIN meeting on 23 February. During the session we will re-watch Now Pretend, alongside Onyeka’s 2018 video Specialised Technique, and talk in depth about the correspondences between both artists’ work.
If you are interested in joining AMIN, please email firstname.lastname@example.org.
Part of a new Cinenova project titled The Work We Share – a national public programme of newly digitised films from the Cinenova collection addressing representations of gender, race, sexuality, health and community. The films are captioned by Collective Text, and supported by response commissions from contemporary artists and writers.
Supported by Arts Council England.
Picture House Presents
Leeds University Union